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I don't THINK any of the early ROMANTIC composers knew how to write for the PIANO... The music of that era is full of empty theatrical gestures, full of exhibitionism, and it has a worldly, hedonistic QUALITY that simply TURNS me off.

Author - Glenn Gould

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I remember that when I was in my 30s, a hot age for an ACTRESS, lots of offers were coming in, but nothing was GREAT, and I didn't WORK for 18 months. It was at a really fruitful age, and I wanted to work. There was nothing coming down the pipeline that I thought was GOOD - and then I got 'The Piano.'

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I think that, initially, I was most passionate about MUSIC and particularly about playing the PIANO. I started playing when I was NINE, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary TALENT to be able to play the piano professionally.

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I THINK Ada in 'The Piano' is the most interior CHARACTER I've ever had the chance to PLAY, either on the STAGE or in ANYTHING I've done for film or TV.

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In many PARTS, I start from the OUTSIDE and then it triggers things within. For 'The Piano,' I went, 'I'm going to learn these piano pieces. I'm going to learn this sign LANGUAGE, and I'm going to do them all day every day, five days a week.' It was a totally PHYSICAL thing.

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My HOBBIES are playing piano and guitar, pining for GIRLS, worrying about climate change, pining for girls, and the POETRY of JOHN Keats.

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There is no better feeling in the UNIVERSE, other than being MARRIED and having a family, than standing on stage BEHIND a piano and having 5,000 people waving at you. You cannot BOTTLE that.

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I STARTED off as a kid singing with my dad. My dad was my BEST pal. But he had seven KIDS, and I was the only one who was kind of interested in what he was playing and singing at the PIANO. And he was not only my dad, but he was my best pal, and I was interested in doing whatever he wanted to.

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