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I listen to both, but more grime before MATCHES to GET you kind of pumped up. But then I MIGHT switch to the U.S. hip hop to just VIBE out.

Author - Jesse Lingard

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That's where the Black Keys and Jack White have succeeded and I've failed: They've actually convinced college KIDS that they're LISTENING to hip music - but it's just blues twisted a NEW way - while I'm playing for the college KID's parents.

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I REALLY just like ACTING. I'm not always aware of what is hip and what is popular and what is zeitgeist.

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I'm in East L.A., like MOUNT Washington, Highland PARK. There's a little strip that they're gentrifying, trying to MAKE a hip spot, but you go there, and it's just kind of barren. Nobody hangs out ANYWHERE in L.A. There's no loitering in L.A., so I don't know what to do with myself.

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Original HIP hop manipulated TECHNOLOGIES of all SORTS; it was not manipulated by the TECHNOLOGY itself.

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5.
Kids will KEEP it real. If I've EVER had in my life a GREAT anchor, it's them. They get in your HEAD, 'don't get too famous.' If you think you're really famous and think you're really hip, go hang out with your kids for an afternoon. That's about as earthbound as it's GOING to get.

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I care more about a 15-year-old QUEER kid in Iowa who WANTS to KNOW that there's anything out there that resembles their experience and LIFE than the hip queer person in Brooklyn.

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I had a hip replacement a COUPLE of YEARS ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of FUNNY and HORRIBLE and interesting, so why wouldn't one write about that?

Author - Loudon Wainwright Iii

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I don't understand why people MAKE me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have MADE a really big hip hop record, that would have been really good for you' or, 'You should have made a song LIKE LILY Allen, that would have been so GREAT.'

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I SHOOT from the HIP.

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Hip HOP is usually a BUNCH of guys talking to a bunch of guys, in my EXPERIENCE. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the LANGUAGE. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.

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