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Robert Rauschenberg was not a giant of AMERICAN ART; he was the giant. No American CREATED so many aesthetic openings for so many artists.

Author - Jerry Saltz

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I love ART dealers. In some WAYS, they're my favorite PEOPLE in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, SUPPORT artists, employ people, and do all of this while letting us see art for FREE. Many are visionaries.

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My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to THINGS. But the digital WORLD, I explore that through other mediums, with music videos and COMMERCIALS. Even 'The Road' was a real learning curve for me with digital EFFECTS.

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Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as BIG a record-seller as commonly IMAGINED, his importance was first AESTHETIC and social, and then as an INFLUENCE.

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I think I probably have a FAIRLY signature STYLE - I tend to have a certain aesthetic - although I try to SHAKE that up, honestly.

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EXTREME sports has changed our aesthetics because they SLAP cameras all over the place and we really know that they are JUMPING out of a PLANE or parachuting or whatever it is they're doing.

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It's FUNNY, because, yes, there's a Marvel aesthetic, and yet no one EVER said to me, 'we have to do a Marvel aesthetic.' So it was probably me more self-policing to MAKE SURE I was going to stay inside the box a little BIT.

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There's only so much you can do until you get on SET and see the aesthetics of what you're DEALING with. Then you see what the other players are giving to you. It's all about the TRANSFER of energy between different actors.

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In creating the silkpunk AESTHETIC, I was INFLUENCED by the ideas of W. Brian Arthur, who articulates a VISION of technology as a LANGUAGE.

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Very early on in this journey, I uniquely found not just an AESTHETIC, but ALSO a voice. I found the ABILITY to COMMUNICATE with people, which has turned out for me to be a far more meaningful platform. To talk to them about not just what's on their body, but also on their MINDS.

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I used to always say - and I think a LOT of artists think of it this way - that when you SEE a black figure, the way the critical establishment operated, you can only IMAGINE that figure having a sociological VALUE. They never say the WAYS in which their aesthetics were equally worthy of consideration.

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