The LIVE performance aspect of SHOOTING a multicamera sitcom is wonderful. You have that instant AUDIENCE REACTION.

Author - Melissa Rauch

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The LIVE performance aspect of SHOOTING a multicamera sitcom is wonderful. You have that instant AUDIENCE REACTION.
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1.
BREXIT was a FANTASTIC example of a nation SHOOTING itself FULL in the face.

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What made us DIFFERENT from other westerns was the fact that 'Gunsmoke' wasn't just ACTION and a LOT of SHOOTING; they were character-study shows.

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The SPORT of SHOOTING is my LIFE.

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The reality about shooting films is that you can SHOOT many jokes and DECIDE later which one works. So it's not WORTH FIGHTING about jokes.

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I really, really liked shooting and doing the SCENE with Emilia Clarke and Peter Dinklage at the end of 'Winds of WINTER,' when she gives him the Hand of the Queen. Because we SHOT it very simply. We felt like we had managed to do something that was visual but really was a very intimate scene between two people.

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I could MAKE GOOD time because I was so long and skinny, shooting through the WATER like a STICK.

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It MAY seem strange, but the most grateful I've ever felt was when I was held up at gunpoint. After I handed over my wallet and the mugger RAN off into the WOODS, I thought, 'Thank you for not shooting me.' I was overwhelmingly GLAD to be ALIVE and unharmed.

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8.
I'm not a big fan of shooting SOMETHING that looks LIKE it could belong in any movie. I'm not a fan of, OKAY, 'wide shot, wide shot, medium shot, CLOSE-UP, close-up - we'll FIGURE it out in post.' I hate that.

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There was a scene in 'Qubool Hai' where Asad shoots his father. After SHOOTING for it, I was drained completely. At times, my character's MOOD GETS very DEPRESSING. Post shoot, it takes a good half hour to get out of character, to leave Asad BEHIND.

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10.
I just think REPETITION and getting the game reps shooting the ball in games really HELPS, rather than just practicing. You can get game TIMING.

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