<html><body><p>Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo <a href="https://quotes.tuteehub.com/tag/box-3040" style="font-weight:bold;" target="_blank" title="Click to read more quotes about BOX">BOX</a> to art, <a href="https://quotes.tuteehub.com/tag/artists-4423" style="font-weight:bold;" target="_blank" title="Click to read more quotes about ARTISTS">ARTISTS</a> and <a href="https://quotes.tuteehub.com/tag/designers-8100" style="font-weight:bold;" target="_blank" title="Click to read more quotes about DESIGNERS">DESIGNERS</a> have been blurring the <a href="https://quotes.tuteehub.com/tag/lines-4229" style="font-weight:bold;" target="_blank" title="Click to read more quotes about LINES">LINES</a> between fine art and commerce.</p></body></html>

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Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo BOX to art, ARTISTS and DESIGNERS have been blurring the LINES between fine art and commerce.

Author - Debbie Millman Subject - Design

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Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo BOX to art, ARTISTS and DESIGNERS have been blurring the LINES between fine art and commerce.

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Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo BOX to art, ARTISTS and DESIGNERS have been blurring the LINES between fine art and commerce.

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