<html><body><p>In Degas's compositions with several <a href="https://quotes.tuteehub.com/tag/dancers-9291" style="font-weight:bold;" target="_blank" title="Click to read more quotes about DANCERS">DANCERS</a>, their steps, postures and gestures often <a href="https://quotes.tuteehub.com/tag/resemble-2839" style="font-weight:bold;" target="_blank" title="Click to read more quotes about RESEMBLE">RESEMBLE</a> the almost geometric, <a href="https://quotes.tuteehub.com/tag/formal-7086" style="font-weight:bold;" target="_blank" title="Click to read more quotes about FORMAL">FORMAL</a> letters of an alphabet, whereas their <a href="https://quotes.tuteehub.com/tag/bodies-3798" style="font-weight:bold;" target="_blank" title="Click to read more quotes about BODIES">BODIES</a> and <a href="https://quotes.tuteehub.com/tag/heads-1859" style="font-weight:bold;" target="_blank" title="Click to read more quotes about HEADS">HEADS</a> are recalcitrant, sinuous and individual.</p></body></html>

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In Degas's compositions with several DANCERS, their steps, postures and gestures often RESEMBLE the almost geometric, FORMAL letters of an alphabet, whereas their BODIES and HEADS are recalcitrant, sinuous and individual.

Author - John Berger Subject - Formal

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In Degas's compositions with several DANCERS, their steps, postures and gestures often RESEMBLE the almost geometric, FORMAL letters of an alphabet, whereas their BODIES and HEADS are recalcitrant, sinuous and individual.

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In Degas's compositions with several DANCERS, their steps, postures and gestures often RESEMBLE the almost geometric, FORMAL letters of an alphabet, whereas their BODIES and HEADS are recalcitrant, sinuous and individual.

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