<html><body><p>In <a href="https://quotes.tuteehub.com/tag/every-220" style="font-weight:bold;" target="_blank" title="Click to read more quotes about EVERY">EVERY</a> <a href="https://quotes.tuteehub.com/tag/work-49" style="font-weight:bold;" target="_blank" title="Click to read more quotes about WORK">WORK</a> of art the subject is primordial, <a href="https://quotes.tuteehub.com/tag/whether-4377" style="font-weight:bold;" target="_blank" title="Click to read more quotes about WHETHER">WHETHER</a> the artist <a href="https://quotes.tuteehub.com/tag/knows-3369" style="font-weight:bold;" target="_blank" title="Click to read more quotes about KNOWS">KNOWS</a> it or not. The measure of the formal qualities is only a <a href="https://quotes.tuteehub.com/tag/sign-2126" style="font-weight:bold;" target="_blank" title="Click to read more quotes about SIGN">SIGN</a> of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.</p></body></html>

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In EVERY WORK of art the subject is primordial, WHETHER the artist KNOWS it or not. The measure of the formal qualities is only a SIGN of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.

Author - Alberto Giacometti Subject - Failure

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In EVERY WORK of art the subject is primordial, WHETHER the artist KNOWS it or not. The measure of the formal qualities is only a SIGN of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.

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In EVERY WORK of art the subject is primordial, WHETHER the artist KNOWS it or not. The measure of the formal qualities is only a SIGN of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.

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