<html><body><p>Now why should the cinema <a href="https://quotes.tuteehub.com/tag/follow-550" style="font-weight:bold;" target="_blank" title="Click to read more quotes about FOLLOW">FOLLOW</a> the <a href="https://quotes.tuteehub.com/tag/forms-2377" style="font-weight:bold;" target="_blank" title="Click to read more quotes about FORMS">FORMS</a> of theater and painting rather than the methodology of <a href="https://quotes.tuteehub.com/tag/language-324" style="font-weight:bold;" target="_blank" title="Click to read more quotes about LANGUAGE">LANGUAGE</a>, which allows wholly new concepts of ideas to arise from the combination of <a href="https://quotes.tuteehub.com/tag/two-173" style="font-weight:bold;" target="_blank" title="Click to read more quotes about TWO">TWO</a> concrete denotations of two concrete objects?</p></body></html>

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Now why should the cinema FOLLOW the FORMS of theater and painting rather than the methodology of LANGUAGE, which allows wholly new concepts of ideas to arise from the combination of TWO concrete denotations of two concrete objects?

Author - Sergei Eisenstein Subject - Knowledge

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Now why should the cinema FOLLOW the FORMS of theater and painting rather than the methodology of LANGUAGE, which allows wholly new concepts of ideas to arise from the combination of TWO concrete denotations of two concrete objects?

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Now why should the cinema FOLLOW the FORMS of theater and painting rather than the methodology of LANGUAGE, which allows wholly new concepts of ideas to arise from the combination of TWO concrete denotations of two concrete objects?

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