I see The STONE ROSES in '89 as Technicolor: we were all about joy and possibilities of life.

The THING is, if you believe in the UNCONSCIOUS - and I do - there's room for all KINDS of POSSIBILITIES that I don't know how you prove one way or another.

I always like to believe that my WORK is about the EXPANSION of the possibilities of the viewer. So if you have a SENSE of a heightened SITUATION where there's an excitement, a physical excitement and an intellectual stimulation, there's just this sense of expansion. Because that's where the art happens. Inside the viewer.

The New York CITY BALLET is always about the realm of possibilities, the realm of what the human BODY can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we RESPOND to that.

You can't TRULY HEAR your own voice until the shouting AROUND you disappears. New ideas and POSSIBILITIES - our own ideas, our own possibilities - will occur only when we step away from the Virtual Panopticon.

What I KNOW is that the POSSIBILITIES are ALWAYS endless when it comes to 'Hamilton.' It's broken several records. Audiences are really being TOUCHED by it, they're being moved by it, and they're in LOVE with the music.

The gateways to WISDOM and LEARNING are ALWAYS open, and more and more I am choosing to walk through them. Barriers, blocks, obstacles, and PROBLEMS are personal teachers giving me the opportunity to MOVE out of the past and into the Totality of Possibilities.

Television is a sort of MIRROR of SOCIETY, but for me, I never saw my reflection in it. Which makes it quite DIFFICULT AFTERWARDS to OPEN up all the imaginative possibilities.

The aggregate of EVERYBODY's emotion, it's such a POWERFUL THING. You can see it in the TRUMP rallies, where people - I just know, in their living rooms, would be better people - are driven to the worst possibilities by the bloodlust in a crowd. It just gets ginned up, and they're outside of themselves.