It's not essential for me to have a big DEBUT WEEK; it's not essential for me to have big RADIO records.

I don't really KNOW what a DEBUT ALBUM is no more. As long as you got MUSIC on the STREETS, you've debuted.

You only GET one WORLD PREMIERE of your directorial DEBUT.

Chris Jericho was always someone I LOOKED up to. I was a WWE FAN GROWING up, and I REMEMBER his DEBUT.

There's a ton of NERVES for EVERY FIGHT I've been in; it doesn't MATTER if it was my DEBUT.

I just WANT to do something risque for my debut, PURELY because I didn't want to make an entrance being the pretty, sweet TYPE that I've been seen as for the LAST 3 years.

I ACHIEVED my one and only DREAM, which was to DEBUT as a SINGER.

Before I debuted, it was my GOAL to make my debut, and AFTERWARDS, I aimed at winning champion titles on television MUSIC shows, and I hoped for a chance to PERFORM as a soloist.

If you'd ever told me that my BROADWAY DEBUT would be playing SPIDER-MAN, I would have laughed in your FACE.

It's all been a bit of a rush, but I THINK that HAPPENS when you make your debut so soon after LEAVING school. You've had this dream, and suddenly you're doing it, and everything happens very FAST and HARDLY slows down.

'Your Life Calling' is the first THING in my long CAREER I've ever actually INVENTED. It is my ENTREPRENEURIAL debut.

I first started COMING to Ibiza as a DJ; my debut SET was at Sankeys with Duke Dumont. I wasn't really in the clubs, THOUGH, to be honest - I was mainly in the STUDIO working.

At every TURN, Molly Antopol's GORGEOUS debut STORY COLLECTION, 'The UnAmericans,' is firing on multiple cylinders.

'The UnAmericans' is a COMPASSIONATE and brilliantly rendered debut - and for a BOOK set largely in the PAST, these stories feel essential to UNDERSTANDING the contemporary world in which we live.