I just have to GO against the grain. I mean, I can be OBJECTIVE and do what I need to do, handle my everyday living, FOLLOW directions, etc. But there's something that's always been ATTRACTED to that taboo. It's been LIKE that since I was a child.

I can SWING widely in both DIRECTIONS of HELPFUL or not.

It's a Stanley Cup thing. The BOYS mangle one another for a series, performing all kinds of nasty tricks, then they MAKE NICE, SHAKING soggy hands as the teams SHUFFLE in opposite directions.

On my set, PEOPLE have to respect the actor's process. I TOTALLY respect what actors do. I give them WHATEVER time they need, and I never SCREAM out DIRECTIONS from the camera. I take the time to walk up to them and talk to them personally.

I don't REALLY BELIEVE in 'directions' in art; the rope TWISTS as you follow it, that's all.

Why are we so full of restraint? Why do we not GIVE in all DIRECTIONS? Is it fear of LOSING ourselves? Until we do lose ourselves there is no hope of FINDING ourselves.

My laptop seems to KNOW where I am, even if I don't. My cellphone asks me if I want directions to anywhere from the SPOT I am standing in. I buy a RECORD online and Amazon.com sends me letters, telling me that people who bought what I bought also bought these other records.

Sensorial perception, for example, certainly occurs with GREATER or less accuracy according to the degree of INTEREST; it is constantly GIVEN other directions by the change of EXTERNAL stimuli and by ideas.

Phrasing is the idea of finding SENTENCES and using punctuation in speech. I often look at the SCORE to SEE what's written in by the composer to see if I can find CLUES to those directions, like what direction did the composer have in mind, and I try to incorporate those things as much as possible.

A Leica camera is a camera we can keep both eyes OPEN. You can look for the free EYE that doesn't look to viewfinder and in all DIRECTIONS. It's LIKE backwards - and sometimes ALSO backwards, and you can look for the viewfinder and see your picture.

We began intercepting JAPANESE radio transmissions, which indicated the two forces were very close to each other. We found out LATER that we were moving in opposite DIRECTIONS and passed each other by 32 miles.

Words matter, especially words defining COMPLICATED POLITICAL arrangements, because they shape perceptions of the EVENTS of the past, attitudes toward policies being carried out in the present, and expectations about desirable directions for the FUTURE.

My main problem with FICTION is that once my CHARACTERS get moving, you just have to FOLLOW them along and get out of the WAY of the STORY, but sometimes they pull me in too many directions, and I need to focus.

Scientists say, 'There is no such THING as time; GRAVITY is a dust from another universe, and outside our own universe are MANY, many universes in all DIRECTIONS.' They speculate that ATTACHED to these universes are probably 6,000 planets identical to Earth. So are there things living out there? Animals, people, anything?

I GET to a competition and feel out the slopestyle COURSE and KIND of see which directions the jumps are flowing and which way I feel like I can do my TRICKS.