Poets are always taking the WEATHER so PERSONALLY. They're always sticking their EMOTIONS in THINGS that have no emotions.

Game designers are obsessed with EMOTION. How do we CREATE the emotions that we want GAMERS to feel, and how can we REALLY make it this INTENSE, emotional experience?

I think we're all sensitive; everyone has a CERTAIN way about themselves that people don't LIKE to let their emotions out too often. I think people tend to suppress them and hold them in, so I think there's a BIT of that in me.

When you try to cool down HOT EMOTIONS, what tends to HAPPEN is that you end up either repressing them or losing them altogether. NEITHER is desirable. Without emotion, much social interaction LOSES its meaning or changes for the worse.

I am an honest PERSON, and that includes SHOWING my emotions - GOOD or bad.

I FEEL the dams of EMOTIONS open up more EASILY when one is ACTING.

I'm very free with all my emotions, WHETHER it's happy, SAD, MAD, GLAD, whatever.

I am ACTUALLY very in TOUCH with all of my emotions, from JOY to pain, and I am FREE with them.

I've always used my own personal emotions and things that I've gone through in my LIFE to build a character. The work that I do before a FILM FEELS almost LIKE therapy, between me and whoever I'm playing.

It's funny because being comedic and HAPPY and lighthearted is who I am as a PERSON, so they're easier emotions for me to CONNECT with.

My WORK is through my EMOTIONS, so EVERYTHING kind of GOES together.

Obama invented himself against all odds and repeated PARENTAL abandonment, and he worked hard to regiment his emotions. But now that can come across as imperviousness and inflexibility. He wants to run the agenda; he doesn't WANT the agenda to run him. Once you BECOME PRESIDENT, though, there's no way to predict what your crises will be.

There are cognitive processes and limbic reactions associated with BASIC emotions. And you can change brain CHEMISTRY, but you're STILL not going to change MEMORIES and experiences in a HUMAN being.