I COACH at Rutgers University and HELP out there as a part-time ASSISTANT coach. I FEEL like the coach is kind of in me, and it would also be great EXPOSURE, so I'd be down for it, for sure.

Unless you're a big MOVIE STAR, regular television work is going to bring you more exposure than ANYTHING. Everybody has a television; not everybody GOES to the movies.

During EXPOSURE, interference takes PLACE between the incident RAYS and those reflected by the mirror, with the FORMATION of interference fringes half a wavelength distant from each other.

Of course, I also attribute some of my hearing LOSS to being in the infantry in World WAR II. It's probably a COMBINATION of HEREDITY and noise exposure.

I'm not stupid enough to think that I can deal with another 10 or 15 years of MAJOR EXPOSURE. I think that is the ultimate tragedy of FAME... PEOPLE who are simply out of control, who are lost. I've seen so many of them, and I don't WANT to be another cliche.

There definitely is EXPOSURE in REALITY shows, but the exposure will BASICALLY get you more reality shows.

There is no THRESHOLD level of fine particle POLLUTION below which health RISK reductions are not achieved by reduced EXPOSURE.

I GREW up with Scientology - my parents at one POINT were clerical. It's a pragmatic philosophy, not merely a BELIEF SYSTEM. Yeah, it's had media exposure because certain luminaries do Scientology, but MILLIONS of people do it who are not celebrities. It's not a threat or some cult.

So I picked a FIELD where I had a little exposure. Where I THOUGHT I could have an enormous CHALLENGE, and have a chance to really do some GOOD, to be a pioneer in an area, and not just be like everyone else.

Every morning when I PICK up the newspaper and read about an earthquake in JAPAN or problems in European financial INSTITUTIONS, the first QUESTION I ask our staff is 'What is money-market-fund exposure?'

Asylum was GOOD exposure for me and it is still shown quite often on TELEVISION. I remember the special EFFECTS people had FUN making a little doll that looked like me - which is not so easy - and it had to MOVE along the floor.

No one in a novel by Virginia Woolf ever filled up the petrol tank of her CAR. No one in Hemingway's POSTWAR NOVELS ever worried about the EFFECTS of prolonged EXPOSURE to the threat of nuclear war.

The happy story RIGHT now is the FULL PAGE in VANITY Fair, which gives me a great DEAL of exposure.

And the reason for that I THINK is that in Australia our FILMS don't GET the EXPOSURE, so the process is foremost. But anyway, I LOVE being part of the team and hate being stuck in a corner somewhere.

At one time, smaller, and story-heavy films were not appreciated much but exposure has made the AUDIENCE aware of what GREAT story-telling is. This has also ensured that the right actors are cast for the right KIND of ROLES.