When you have Liam Neeson in a film, no MATTER how GOOD EVERYONE else is, it's a Liam Neeson film. And if there's WOLVES, and you're running, it's about Liam Neeson running from wolves.

Venice never QUITE SEEMS real, but RATHER an ornate film SET suspended on the water.

I'm a Method ACTOR. I SPENT YEARS TRAINING for the drinking and carousing I had to do in this film.

When I'm MAKING a FILM, I'm the AUDIENCE.

I don't KNOW if you have EVER seen the Woody Allen FILM 'Annie Hall,' but it is, in a WAY, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.

My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India MADE by SOMEONE who had NEVER been to India, but who already had very romantic feelings about EVERYTHING Indian.

To me, PAUSE is sometimes the most IMPORTANT, most EFFECTIVE MOMENT in a film or PLAY or anything.

'Sara' was the first FILM PROJECT I WORKED on as an actress; it's a SHORT film.

I won't call my work entertainment. It's exploring. It's asking QUESTIONS of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I WANT to make a film about something I already UNDERSTAND?

I've done very WELL in the film BUSINESS. Whenever I have wanted SOMETHING, the film business has given it to me. I'm very fortunate. My BIG problem in life has always been, 'What do I WANT?'

There can be a LOT of WAITING AROUND on any FILM SET.

I have been RECEIVING CALLS from all quarters SINCE the release of 'Madras.' I need to thank audiences for believing in me and making this FILM successful.

I WORKED in a software COMPANY in Bangalore and MADE SHORT films during weekends. I learnt the basics during a one-day workshop called Film Camp Sanjay Nambiar.