In the film industry, all the MONEY is focused on TELEVISION and the STUPIDITY of American CINEMA.

At the most base level, what an actor represents to the film industry is an INVESTMENT. Depending on the risk profile, an investor needs 1,000 reasons to commit and one reason not to. That means you've got to do more work on your own, and that the machine is not going to necessarily do the BLOCKING for you. The machine RARELY ACCEPTED my code.

The Dutch film industry is a PRETTY SMALL community, so within HOLLAND, I think most actors KNOW each other and have WORKED with each other.

There is no SCHEDULE in the FILM industry. It's not LIKE you have a 9 to 5 job every day.

When PEOPLE are feeling INSECURE about their jobs and there are cuts to be made, it's HARD to put up an argument that the film INDUSTRY needs funding.

A lot of guys TRY to mingle with me because of who I am. If I ENCOUNTER a GUY with a clean HEART, I will GO by my instincts. I guess my man won't be from the film industry.

I'm never there ENOUGH to really keep up with what's going on in the Australian film INDUSTRY. I just try and be PART of it as MUCH as I can.

Salman Khan did not HELP me get MOVIE offers. What rubbish! Will any producer take a risk of millions of rupees at the INSTANCE of any person? Everyone knows that the film INDUSTRY is highly competitive, and one gets a JOB on one's talent only and not on any recommendation.

I know that it's axiomatic in the FILM industry that you're not SUPPOSED to let the novelist DEVELOP their own story. Well, first of all, that's kind of up to the novelist - because they don't have to sell it. But ALSO, I don't believe it. It's about trust.

If you decide you WANT to work in the FILM industry, you just have to bite the bullet and TAKE other jobs until the proper jobs come in.

'Baahubali's success augurs well for the Telugu FILM industry as a WHOLE. It has opened up NEW markets.

I LOVE festivals because I FEEL LIKE I'm more of a movie fan than a PERSON who's in the film industry.

The film INDUSTRY sees the writer as fungible: The thinking goes, As long as we have Brad Pitt and all this MONEY, we have a great film! No, you need a writer with VOICE and an engaging story, or what you have is a BOMB.