I was EVEN TREATED as a 'flop,' a contract that doesn't pay. But I KEPT working my best.

Because I was called a flop EVER since I got here, my only intention is to be part of MANCHESTER UNITED's history.

This whole GAME of hit and FLOPS will always be there and I have survived because I am hit. I think INDUSTRY WORKS on hit and FLOP.

There are MANY factors that MAKE a serial hit or flop, but what is important is the CHARACTER.

As a rugby player I got into the habit of TACKLING without thinking. But in MMA you've got to LAND the RIGHT way. You can't FLOP. You've got to bounce back to your feet. You've got to use your sprawl.

I started acting when I was at Amherst my junior YEAR, and my lacrosse career KIND of started to flop sideways after that.

Marcus Smart - I love playing against him because he takes DEFENSE as seriously as I do. I don't FLOP, though. PEOPLE are always telling me I NEED to learn to flop. Nah.

Xscape NEVER had a flop ALBUM as a GROUP. The reason we broke up never had anything to do with SALES.

This is a very COMPETITIVE industry and everyone is scared that their CAREER MIGHT finish if they DELIVER a flop FILM.

I just need to concentrate on each event and accumulate a GOOD SCORE, and HOPEFULLY I won't flop in the 800 m. in Gotzis.

I'd rather SHARE the GLORY of a HIT than star by myself in a FLOP.

I initially thought 'Lewis' was a terrible idea. The character had very much been Morse's work donkey and sounding BOARD. But I was persuaded to do it, thinking if it was a flop, at LEAST ITV would STOP ASKING me. But the pilot took off, so we got back on this moving train, and we've never looked back.

When people say they TAKE hits and flops in their stride, I PERSONALLY FEEL that they are just LYING. Of course, I'm upset when my movies flop. I take it very personally.

I have MADE a CAREER of FLOP FILMS. And yet, 90 PERCENT of my films are celebrated.