What we need to be able to do is COUNT all HUMAN experience. So I would like to count the secretarial POSITIONS as good TRAINING PLACES to take over the jobs of the bosses.

I think music needs to be presented in a way so that KIDS can grasp songs, dances, simple music that's ASSOCIATED with some particular DEFINING MOMENT in human experience.

There is no morality by instinct. There is no SOCIAL salvation in the END without taking thought; without MASTERY of LOGIC and application of logic to human experience.

A LOT of times we have these categories that maybe don't fit the REALITY of HUMAN experience and human identity. I'm completely sympathetic to what a lot of people in my community are SAYING - that often as ASIAN Americans we're made to feel more foreign than we internally feel ourselves.

With BSG, sci-fi is the human experience TAKEN beyond the envelope. When I FIRST became involved with the project, I knew that I WOULD be able to play a human being for many years, exploring and reflecting on ISSUES that would IMPACT people's lives.

One THING that sticks in my mind is that jazz means freedom and openness. It's a MUSIC that, although it developed out of the AFRICAN American experience, SPEAKS more about the human experience than the experience of a particular PEOPLE.

The URGE to push the CONCEPT of SEX and sexuality into the fringes of the human experience is so bizarre to me.

There's a sadness about LOVE, a melancholy and a sadness about BEAUTY. It's just part of the human experience of living on this PLANET.

The marriage of a MAN and woman is the most ENDURING human institution, honored in all cultures and by every RELIGIOUS faith. It's in this institution that children are meant to be nurtured. We KNOW this after THOUSANDS of years of human experience.

I think it's something to do with the nurturing SIDE of the psyche; tying up a sunflower or WHATEVER and HELPING it grow, it is just some kind of core HUMAN EXPERIENCE.

What irritates me about SCI-FI is that it GOT hijacked by video games and also became so high-concept it was all about ideas and gadgets and technology and nothing about the human experience.

I think my initial VIEW of it is that 'The Room' has succeeded in being the best bad movie because it's the most earnest. I feel like it's a film that comes from the heart, and somebody's REALLY TRYING to send a message about their life and their view on the human experience.

I'm sure it's one of the most frustrating ASPECTS of human experience for all of US, that when we tell SOMEONE who's hurt us that they've hurt us, they TEND to react with anger because they FEEL guilty, and we know we also get angry when we feel guilty.

There is only one thing which can master the perplexed stuff of EPIC material into UNITY; and that is, an ability to see in PARTICULAR HUMAN experience some significant symbolism of man's general destiny.

I relate to people and ROLES that are about the arc of HUMAN experience, things that everyday people deal with EVERY DAY.