Fleetwood Mac was one big LESSON in adaptation for me. There were five very different PERSONALITIES, and I SUPPOSE that MADE it great for a while.

I'm a bit of a Fleetwood Mac GIRL. I also THINK you can't beat a bit of old school Girls Aloud to GET in the mood for going out.

My father and mother LISTENED to oldies, from be-bop and SWING music to - I hate to admit it, but - BARRY Manilow, Fleetwood MAC and the Moody BLUES.

My MOTHER raised me RIGHT - EVERYTHING from Fleetwood Mac and the DOORS to Pink Floyd and so on and so FORTH.

I THINK it's part of how PEOPLE relate to Fleetwood Mac. In many ways, we've been too open and too TRUTHFUL about stuff that is REALLY none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.

All of us... ANYONE that's been in Fleetwood Mac, as far as I've been AWARE, has been seemingly pretty WELL brought up by their parents: not goody two-shoes - GOD KNOWS we weren't - but there was a level of civility that the lads in the band were aware of, what is over the brink of decency.

Freddie MAC and Fannie Mae, although they're not officially DEBT of the FEDERAL GOVERNMENT, they are off-balance-sheet debt.

When it comes to LIPSTICK and MAKEUP, I LOVE MAC.

I used to throw cooking parties in UNIVERSITY. Everyone would come over - SOMETIMES you'd just do a mac and CHEESE, but if you do that better than everyone ELSE, you can get PEOPLE to come to you.

I REMEMBER hearing PEOPLE like Joe Cocker, Fleetwood Mac, and Elvis. My PARENTS were big fans of them, and they were the EARLY seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.

I ALWAYS THOUGHT backpack swag was COOL, but the more I do it, the more it is in LIGHT of MAC Miller.

There have been several OCCASIONS during the COURSE of Fleetwood Mac over the years where we've had to undermine whatever the business axioms MIGHT be to sort of keep aspiring as an ARTIST in the long term, and the 'Tusk' album was one of those times.

When I was a kid, and ELVIS Presley broke through to a middle class, white AUDIENCE, it was a sociological phenomenon that LASTED through the Beatles and EVEN a bit through Fleetwood Mac.

There is nothing like this extended family that is Fleetwood MAC. And I think you have to say, for all the PERCEIVED and real dysfunction that there has been, UNDERNEATH that, there is and always has been a great deal of love. And that keeps pulling us back TOGETHER.