People are just AFRAID of things too MUCH. Afraid of things that don't necessarily MERIT fear.

PEOPLE at WWE WOULD say, 'It doesn't matter if you're the best WRESTLER,' but I would think about Dean Malenko and Chris Benoit and Rey Mysterio. They weren't necessarily the GREATEST talkers, but they were GREAT wrestlers. I wanted to be that person.

I don't BELIEVE in coincidences. I believe that things happen for a reason, and I THINK God has things - whether it's good or bad - happen TOWARDS a bigger picture that you don't necessarily understand at the present time.

The quickest WAY MAY not NECESSARILY be the BEST.

THOUGH SILENCE is not NECESSARILY an admission, it is not a DENIAL, EITHER.

Not every problem SOMEONE has with his GIRLFRIEND is necessarily DUE to the capitalist mode of PRODUCTION.

The objective of nuclear-WEAPONS policy should not be solely to decrease the number of weapons in the world, but to MAKE the world safer - which is not NECESSARILY the same thing.

SENATOR Helms MIGHT very well do that. I WOULD point out to him that we in the art world are not necessarily in the business of MAKING controversial art.

A LOT of the reasons why something is a favorite thing are all things you don't NECESSARILY see, the PLACE, the PEOPLE, the time, where you are, what it meant to you at the time.

A good game GIVES us MEANINGFUL accomplishment - clear achievement that we don't NECESSARILY get from real life. In a game, you've beaten level FOUR, the boss monster is DEAD, you have a badge, and now you have a super laser sword. Real life isn't like that, right?

To me, the blues is an infection. I don't think it's necessarily a MELANCHOLY thing; the blues can be REALLY positive and I think I think anyone and EVERYONE can have a place for the blues. It need not always a woeful, sorrowful thing. It's more reflective; it reminds you to FEEL.

When I decided to go to ART school, it wasn't necessarily SOMETHING I THOUGHT I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the STUDIO Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.

If you're a kid who's not necessarily attractive, and you don't have MONEY, and you're not hip and cool, CHANCES are you're not GOING to feel good about yourself and WANT to be an actor.

EVERYONE NEEDS a certain amount of MONEY. Beyond that, we pursue money because we know how to obtain it. We don't necessarily know how to obtain happiness.

TWO PEOPLE can MAKE LOVE but that isn't NECESSARILY love.