My first TIME on CAMERA was 'One LIFE to Live.' I mourn for actors coming up that the daytime SOAP opera is becoming EXTINCT. It's theater onscreen.

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If you've had INTIMACY in your LIFE, you can be INTIMATE onscreen. I mean, come on - I didn't know how to hold a gun, but I COULD PLAY a cop.

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Just LIKE my onscreen CHARACTER TWINKLE, I'm EXTREMELY SCARED of rats.

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I THINK we're so advanced when it comes to watching NARRATIVE MATERIAL. I MEAN, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a BAD guy?

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NEVER in my life have I been captivated by by anybody onscreen the way I was when I SAW Audrey Hepburn for the first TIME. She's everything a WOMAN should be.

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For the most part, I was surprised by the representation of female CHARACTERS onscreen. I do hope that when we include more female STORYTELLERS, we will have more of the women that I RECOGNIZE in my DAY to day life.

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I oftentimes FIND with movies that the heavier the onscreen situation is, the more levity there is off SCREEN. It's almost out of NECESSITY.

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It's easier to PLAY AGGRESSION and malevolence onscreen, OFTEN, than to hit softer notes.

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I've ALWAYS LIKED to WATCH myself onscreen because that's how I LEARN.

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One woman came up to me at a lecture and OBSERVED that I was much fatter than on TELEVISION; I think I look better onscreen than in real LIFE. It's the LIGHTS.

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PERSONALLY, my favorite character onscreen was in the film '15 PARK Avenue' where I PLAYED a schizophrenic.

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Although JEALOUSY is a strong word, who WOULD LIKE to see the PERSON they love romance SOMEONE else, even onscreen?

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YOUNG GIRLS NEED to SEE women who are strong and vulnerable and COMPLEX onscreen.

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It's one of the THINGS I ALWAYS do. I move FASTER onscreen. Creates a sense of danger.

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One of the BORING tricks about capturing BROADWAY onscreen, ACTUALLY, is just about all the different UNIONS.

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