Detroit is drunken idiots. It was no surprise to me. I performed with Kenny Rogers for one YEAR as his OPENING act, and I GOT to visit every MAJOR American city and notice the audience, and Detroit was one of the worst.

Not CONSIDERING this opening WORTHY of more ATTENTION, I continued our pursuit to the Northwest, being desirous to embrace the advantages of the prevailing BREEZE.

With 'Opening CREDIT,' we were trying to establish a CERTAIN TONE and put people in a specific MOOD.

Diana Ross SAW me on Merv Griffin and HIRED me to be her OPENING ACT.

What I PARTICULARLY like about Broadway is the camaraderie and the FRIENDSHIP of other people in other shows. Everybody knows you're OPENING and CARES about you. There's a real village atmosphere.

You always look forward to the START of the REGULAR SEASON. It's like OPENING PRESENTS on Christmas morning.

I don't really... go to 'the OPENING of an envelope.' I don't really turn up to all the events, you KNOW what I mean? If I'm involved, I'll go, and if there's a good FRIEND who NEEDS support, I'll go, but otherwise... I don't go. I'm probably just a BIT like my grandparents; I like staying in.

My CHARACTER in 'Mr. Holland's Opus' was kind of COMING of age, learning about a WORLD that was opening up to her.

My most MEMORABLE MOMENT was performing at our first CONCERT, Twiceland: The OPENING.

The more you focus on SEX without love, and drugs and violence, LIFESTYLE of intimidation and RECYCLING, the LESS energy you SPEND on opening up the big tent.

I just have this very SIMPLE IDEA about the rebel spies in the opening crawl of A 'New Hope' who steal the PLANS for the Death STAR.

I see the NEW LATIN ARTIST as a pioneer, OPENING up DOORS for others to follow. And when they don't open, we crowbar our way in.

I've been very HAPPY to see some of the success that I've had ALONG the way in OPENING the eyes of PEOPLE, especially people who listen to MUSIC.