EMOTIONALLY, I was AFFECTED a lot by Rage Against the Machine, not specifically the literal INTENTION of the WORDS or what it was about, but the feel, the sound, those phrases that got me.

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One of the most overused phrases in POLITICAL COMMENTARY is that SOMEONE is RUNNING a 'negative' CAMPAIGN filled with 'attack' ads.

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I THINK you REMEMBER CERTAIN phrases from BAD REVIEWS. You don't remember all the bad reviews.

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I'm over the word 'like' in conversation, and 'you KNOW' seems to be the placeholder of choice, but when I'm writing DIALOGUE, I tend to USE those phrases because that's how PEOPLE talk.

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I think there are phrases that are EXCITING to a certain GROUP WITHIN the Democratic PARTY but scare the crap out of other people.

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I don't THINK of poetry as a 'rational' activity but as an aural one. My POEMS usually begin with words or phrases which appeal more because of their sound than their MEANING, and the MOVEMENT and phrasing of a poem are very IMPORTANT to me.

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A marvellous POWER of expression over language often distinguishes GENIUS; but Shakespeare in his phrases SEEMS INDEPENDENT of the bonds of language as of the bonds of metre.

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