Rap is the pulsation GIVEN by some, usually an ELECTRONIC RHYTHM section, without any tonality, and you have SOMEONE READING high-school poetry.

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In POP or rock you can make a FAST song or a slow one, but in disco there is really just the one RHYTHM.

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MOVING to DUBAI at age 9 and then the Congo, they were TWO completely opposite countries. But that brought me to music and taught me THINGS that I never would have learned OTHERWISE. And it was always about the rhythm in those two countries - that's why I love them.

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I was always PLAYING with whatever I COULD get under my hands, MAKING rhythm with it, which was natural for me, because my parents were LISTENING to a lot of African music.

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A SCENE has to have a RHYTHM of its own, a STRUCTURE of its own.

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I can PLAY RHYTHM GUITAR. I KNOW how to HOLD a guitar and strum it.

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Jazz MUSIC is to be PLAYED sweet, SOFT, plenty rhythm.

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Some games you're going to be ABLE to GET rolling, you're going to get in a GOOD rhythm, you're going to be able to get open looks. Other games, sometimes the rhythm's not there and you've got to get off it a LITTLE bit.

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Once I GET a RHYTHM GOING, I can JUMP those hot dogs down.

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I developed my style by pickin' a LOT of cotton, plowin' that ole mule EVERY day. I just got the rhythm, and any rhythm I need I KNOW where it is; I know where to find it.

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I SLOW down when hiking. The rhythm of NATURE is more leisurely. The SUN comes up, it moves ACROSS the sky, and you begin to synchronize to that rhythm.

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DESPITE the usual idea of a figure SKATER, I have no rhythm when it comes to even WALKING off the ICE. I FALL off curbs all the time.

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When I came to The MOODY Blues, we were a rhythm and blues BAND. I was lousy at rhythm and blues - I THINK the REST of us were.

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You've got the same RHYTHM EVERY day just to keep you GOING. So once that rhythm is broken, it's kind of hard to get BACK with it when you got a lot of things going on.

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I did a lot of theater, so especially as an on-camera camera actor, there are so MANY things that aren't in your toolbox. They're SOMEBODY else's JOB. You THINK about editors and RHYTHM. Volume isn't even in your control.

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