<html><body><p>In concertos, I <a href="https://quotes.tuteehub.com/tag/stand-680" style="font-weight:bold;" target="_blank" title="Click to read more quotes about STAND">STAND</a> up, and I conduct with the bow when I'm not playing. During symphonies, I <a href="https://quotes.tuteehub.com/tag/sit-1319" style="font-weight:bold;" target="_blank" title="Click to read more quotes about SIT">SIT</a>, but sometimes I <a href="https://quotes.tuteehub.com/tag/stop-314" style="font-weight:bold;" target="_blank" title="Click to read more quotes about STOP">STOP</a> playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.</p></body></html>

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In concertos, I STAND up, and I conduct with the bow when I'm not playing. During symphonies, I SIT, but sometimes I STOP playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.

Author - Joshua Bell Subject - Bow

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In concertos, I STAND up, and I conduct with the bow when I'm not playing. During symphonies, I SIT, but sometimes I STOP playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.

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In concertos, I STAND up, and I conduct with the bow when I'm not playing. During symphonies, I SIT, but sometimes I STOP playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.

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