<html><body><p>In Giacometti's work, the armature has once again become the life-line of the sculpture, and <a href="https://quotes.tuteehub.com/tag/also-620" style="font-weight:bold;" target="_blank" title="Click to read more quotes about ALSO">ALSO</a>, he's <a href="https://quotes.tuteehub.com/tag/brought-7393" style="font-weight:bold;" target="_blank" title="Click to read more quotes about BROUGHT">BROUGHT</a> back to sculpture a <a href="https://quotes.tuteehub.com/tag/nervous-1721" style="font-weight:bold;" target="_blank" title="Click to read more quotes about NERVOUS">NERVOUS</a> sensitivity which the 'pure <a href="https://quotes.tuteehub.com/tag/carving-5681" style="font-weight:bold;" target="_blank" title="Click to read more quotes about CARVING">CARVING</a>' side of sculpture can <a href="https://quotes.tuteehub.com/tag/lose-69" style="font-weight:bold;" target="_blank" title="Click to read more quotes about LOSE">LOSE</a> sight of altogether.</p></body></html>

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In Giacometti's work, the armature has once again become the life-line of the sculpture, and ALSO, he's BROUGHT back to sculpture a NERVOUS sensitivity which the 'pure CARVING' side of sculpture can LOSE sight of altogether.

Author - Henry Moore Subject - Sensitivity

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In Giacometti's work, the armature has once again become the life-line of the sculpture, and ALSO, he's BROUGHT back to sculpture a NERVOUS sensitivity which the 'pure CARVING' side of sculpture can LOSE sight of altogether.

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In Giacometti's work, the armature has once again become the life-line of the sculpture, and ALSO, he's BROUGHT back to sculpture a NERVOUS sensitivity which the 'pure CARVING' side of sculpture can LOSE sight of altogether.

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