Early On I Saw The Plastic Quality In Colored PEOPLE And Had Friends Among Them; And Later Was To WORK From Colored Models And Friends, Including Paul Robeson, Whose Splendid Head I WORKED From In NEW YORK. I Tried To Draw Chinamen In Their Quarter, But The Chinese Did Not Like Being Drawn And Would Immediately Disappear When They Spotted Me.

No MAN E'er FELT The Halter Draw, With Good OPINION Of The Law.

I Like The WAY Quentin Tarantino Creates A Scene Using A Series Of Close-ups Or Showing Very Cool Images Of A Person Or People Walking On Some Ordinary STREET In Slow Motion. I Wish I Could ACHIEVE That KIND Of Slow-motion Effect In Manga, But It's Rather DIFFICULT To Draw; The Only Things We Can Play With Are Tones Of Black And White.

You Can Write A SCRIPT, But That's Just A Starting Point As A Cartoonist. The Heart Of The Process Comes When You Start To DRAW It, And You Work Out How To LAY The Page Out, How BEST To Tell The STORY.

As You Talk To HEAVENLY Father And Pour Out Your HEART To Him, You Will Draw Closer To Him. Then Pause, Stop, And Listen To The FEELINGS Of Your Heart. SEEK To Understand The Promptings Of The Spirit. As You Pray Sincerely, You Will Come To FEEL Heavenly Father's Great Love For You.

I Was Not Grown Up In The U.S., Nor In Japan. In Order To Create A VIDEO Game That People AROUND The Globe Can Enjoy And RELATE To, I Can't Draw Things Deeply Rooted In The Local Culture That I'm Not FAMILIAR With. That's Why We Are Not Doing GAMES About Football Or Samurai.

If You Wish To Draw Off The People From A BAD Or Wicked Custom, You Must BEAT Up For A MARCH; You Must Make An Excitement, Do SOMETHING That Everybody Will Notice.

We May DRAW Good Out Of EVIL; We MUST Not Do Evil, That Good May COME.

I Wouldn't Know How To Design. I Couldn't Even If I WANTED To, For I Can't DRAW, And A Pair Of Scissors In My Hands BECOMES A Dangerous WEAPON.

Animators Can Only DRAW From Their Own EXPERIENCES Of Pain And Shock And EMOTIONS.