In theater, BLOOD is ketchup; in PERFORMANCE, EVERYTHING's real.

I generally FIND an affinity with a lot of the people I play and I SUPPOSE if I didn't feel an affinity for them then they wouldn't be PARTICULARLY GOOD performances.

An ACTOR should be judged by his PERFORMANCE only.

It would have to be CONNECTED with performance art SOMEHOW, either in the front of the HOUSE or the back. I was myopic about this from fourth GRADE on.

I love a long bath. I love ANYTHING creative. I love decorating. I even love just flipping through magazines and vegging out for a while. But I'm also one of those people who loves to work, so I'll SING, dance, work on my next performance, or write whomever it may be about a NEW idea.

Writing and singing does give me some kind of release from the demons of my PAST, it is a therapy of sorts, but to be honest, my marriage played a more IMPORTANT ROLE in the acceptance of myself than performance has EVER done.

It is essential that we put an end to steroid abuse and set a BETTER example for aspiring young athletes to follow, so that some DAY, when they make it in the All Star Game, it will be because of their own NATURAL talents, and not because of a PERFORMANCE enhancing product.

I'm not REALLY the TYPE of PERSON that can SIT and WATCH my own performances.

Slipknot's MUSIC is very technical and intense, and it's not easy to play, but that's what makes it special. What's so gratifying about playing a show that is that intense is when you get off the stage, and you know you REALLY delivered at the TOP of your ABILITY and PERFORMANCE; that is what makes it all worthwhile.