<html><body><p>With the Larry Bertlemann portrait, I <a href="https://quotes.tuteehub.com/tag/started-1353" style="font-weight:bold;" target="_blank" title="Click to read more quotes about STARTED">STARTED</a> with a <a href="https://quotes.tuteehub.com/tag/photograph-2375" style="font-weight:bold;" target="_blank" title="Click to read more quotes about PHOTOGRAPH">PHOTOGRAPH</a> that I could <a href="https://quotes.tuteehub.com/tag/use-194" style="font-weight:bold;" target="_blank" title="Click to read more quotes about USE">USE</a> for it. I built the drawing's identity to <a href="https://quotes.tuteehub.com/tag/serve-3601" style="font-weight:bold;" target="_blank" title="Click to read more quotes about SERVE">SERVE</a> as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.</p></body></html>

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With the Larry Bertlemann portrait, I STARTED with a PHOTOGRAPH that I could USE for it. I built the drawing's identity to SERVE as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.

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With the Larry Bertlemann portrait, I STARTED with a PHOTOGRAPH that I could USE for it. I built the drawing's identity to SERVE as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.

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With the Larry Bertlemann portrait, I STARTED with a PHOTOGRAPH that I could USE for it. I built the drawing's identity to SERVE as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.

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