Titles are relatively arbitrary to me; they take on MEANINGS that aren't REALLY my meanings. 'SOUND Of SILVER' was just, like, I MADE the studio silver, and I wanted the record to sound 'more silver.'

I've NEVER really had a problem with the IMAGINATION level of an AUDIENCE. They're always smarter and savvier than any studio exec will give them credit for.

There's something really nice about writing something on Wednesday and WATCHING it being performed LIVE for a STUDIO AUDIENCE on Tuesday. You never really get that with novels.

Walt Disney had always TRIED to GET more dimension in his animation and when I SAW these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked AROUND, nobody at the studio at the time was even halfway interested in it.

It was always difficult for me to listen to my singing voice for the FIRST 20 years or so. I mean, I REALLY enjoyed singing, and I enjoyed doing live shows, but being in a recording STUDIO and having to hear my voice played BACK to me would really drive me up the wall.

There was a time when my mum would sew COSTUMES for the DANCE studio so we COULD KEEP doing our CLASSES because we couldn't afford them.

Some very FAMOUS directors have STARTED in the mail ROOM, which is just GETTING inside the studio, getting to know PEOPLE, getting to know the routine.

I don't watch the movies I make, so I haven't seen 'Footloose' since it CAME out. You SEE this YOUNG, hungry ACTOR, it's pretty fun. I was the only one they screen TESTED. It was an attempt by the director and producer to talk the head of the studio into hiring me because they didn't want me.

For YEARS and years, I would SIT in my STUDIO, and I wouldn't have any inspiration. I'd WRITE one or TWO songs a year.

The Migos, like anybody I EVER been in the STUDIO with, like an influence on my rap. I TAKE this from him and him and him and, you know, put it with myself and MAKE it work like that.