<html><body><p>The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the <a href="https://quotes.tuteehub.com/tag/present-2010" style="font-weight:bold;" target="_blank" title="Click to read more quotes about PRESENT">PRESENT</a>. Yet artists, exhibitions, and curators valorize the sixties. People who <a href="https://quotes.tuteehub.com/tag/wrote-1916" style="font-weight:bold;" target="_blank" title="Click to read more quotes about WROTE">WROTE</a> about these artists 30 years ago <a href="https://quotes.tuteehub.com/tag/still-403" style="font-weight:bold;" target="_blank" title="Click to read more quotes about STILL">STILL</a> write about them in the same ways, often for the same <a href="https://quotes.tuteehub.com/tag/magazines-9613" style="font-weight:bold;" target="_blank" title="Click to read more quotes about MAGAZINES">MAGAZINES</a>.</p></body></html>

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The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the PRESENT. Yet artists, exhibitions, and curators valorize the sixties. People who WROTE about these artists 30 years ago STILL write about them in the same ways, often for the same MAGAZINES.

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The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the PRESENT. Yet artists, exhibitions, and curators valorize the sixties. People who WROTE about these artists 30 years ago STILL write about them in the same ways, often for the same MAGAZINES.

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The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the PRESENT. Yet artists, exhibitions, and curators valorize the sixties. People who WROTE about these artists 30 years ago STILL write about them in the same ways, often for the same MAGAZINES.

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