I'm Looking Forward To Sproglets But, As I'm The Main Breadwinner, I FEEL I OUGHT To Capitalise On My Career For A Bit Longer. Mother KEEPS Telling Me I Should Go And Freeze Some Eggs. Not Terribly Romantic, Is It?

I've Noticed That Girls Between Like 20 And 30 Seem To Know 'Can't Hardly WAIT.' I GOT The Goth Kids Who Know 'Buffy.' I Got This WIDE Spectrum Of PEOPLE Who Range From Like 8 To 13 Who Seem To Know 'Scooby-Doo.' Then I Get The INTERNATIONAL People Who Seem To Know 'Austin Powers' And 'The Italian Job.'

I Don't Sit Down To Write A Funny STORY. Every SINGLE THING I Sit Down To Write Is MEANT To Be SAD.

I REMEMBER That I Used To Get LOTS Of Books From The Library, And 'Little Women' Was One Of Them. And I Used To Just Cross Out The PARTS Of It That Really Upset Me Because It's Such A SAD Book In So Many Ways. I'd Cross Out The Parts That Upset Me, And I Would REWRITE New Endings.

My DREAM Is To BUILD A Tech Company That Helps People DISCOVER CONTENT.

I REALLY Just Compete Against Myself. I LOOK At My Previous MATERIAL And TRY To Surpass What I've Done.

I THINK PEOPLE UNDERSTAND I'm Not ACTUALLY The REAL Thomas Jefferson.

It's FUNNY Because As A Rapper, There Is - And This Is Something That Clipping CHALLENGES All The Time - There Is This Idea About Authenticity As A Rapper, In The FACT That You Rap Things That Are Yours. That's Not What Doing A PLAY Is. You're Interpreting Somebody Else's Words.

All My WORK Shares A KIND Of BALANCE Between BLACK Comedy And Sad And Despairing MELANCHOLY.

I Would NEVER Have Become Music Director Of The CHICAGO Symphony, Which Would Have Been An EXTREMELY Sad LOSS.