<html><body><p>Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very <a href="https://quotes.tuteehub.com/tag/open-3016" style="font-weight:bold;" target="_blank" title="Click to read more quotes about OPEN">OPEN</a> <a href="https://quotes.tuteehub.com/tag/situation-1301" style="font-weight:bold;" target="_blank" title="Click to read more quotes about SITUATION">SITUATION</a> that goes beyond national boundaries; directors and curators move from one country to <a href="https://quotes.tuteehub.com/tag/another-213" style="font-weight:bold;" target="_blank" title="Click to read more quotes about ANOTHER">ANOTHER</a>, which has opened up the <a href="https://quotes.tuteehub.com/tag/museum-2723" style="font-weight:bold;" target="_blank" title="Click to read more quotes about MUSEUM">MUSEUM</a> landscape.</p></body></html>

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Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very OPEN SITUATION that goes beyond national boundaries; directors and curators move from one country to ANOTHER, which has opened up the MUSEUM landscape.

Author - Hans-Ulrich Obrist Subject - Directors

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Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very OPEN SITUATION that goes beyond national boundaries; directors and curators move from one country to ANOTHER, which has opened up the MUSEUM landscape.

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Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very OPEN SITUATION that goes beyond national boundaries; directors and curators move from one country to ANOTHER, which has opened up the MUSEUM landscape.

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